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    Grant Supporting AthenSYN I: Homemade Exotic

    A drawing of seven young people in clothes lying and trying to sleep as seen from above. Some of them hug each other with affection and have their eyes closed

    Dimitris Tzamouranis, Melancholia Altar, 2012
    Courtesy Galerie Michael Haas, Berlin
    Foto: Jens Kunath

    14.11.2019 — 01.02.2020
    FREIRAUM in der Box, Berlin Friedrichshain - Kreuzberg

    Since the beginning of the European idea, Athens has been an exoticized utopia. Recently, as a result of the 2009 worldwide financial crisis, Athens has become the exotic scene of a global drama that has attracted many, including the curators of the recent documenta14. On November 14, 2019, at 7pm, the festival Athen SYN I will open its doors with the exhibition HOMEMADE EXOTICA, curated by Sotirios Bahtsetzis, at FREIRAUM in der Box, Boxhagener Str. 96, Berlin Friedrichshain-Kreuzberg. 16 contemporary Greek artists will present their positions and discuss questions that the documenta14 left open to further evaluation.

    Participating Artists

    Dionisis Christofilogiannis
    George Drivas
    Alexandros Kaklamanos
    Dionisis Kavallieratos
    Georgia Kotretsos
    James Lane
    Yorgos Maraziotis
    Georgia Sagri
    Yorgos Stamkopoulos
    Joulia Strauss
    Vassiliea Stylianidou
    Yiannis Theodoropoulos
    Stefanos Tsivopoulos
    Dimitris Tzamouranis
    Zafos Xagoraris
    Theodoros Zafeiropoulos
    A human figurine of a catholic monkwith smaller items place around him showcased in a gallery space with walls made of bricks.

    James Lane, Ecstasy (38 Grams), 2016 (installation view)

    Interior of the exhibition space with walls made out of bricks and cement beams. Frames are hang on the wall and in the middle of the room are well-lit white showcase plints.

    Installation view

    The artworks of the exhibition HOMEMADE EXOTICA induce an almost experiential immersion and invite viewers to become participant in the artworks’ area of research, the Athenian life and its fragile poetics -while at the same time inviting the viewer to dismantle narratives around a mythical place of ancient and contemporary times. Athens acts as a prime example for stereotyping images and utopias of "the other" which tend to getin the way of essential communication and exchange, no matter which whom or what.

    Some artworks tend to surround the every day, mundane and almost invisible with mystique, fantasy and grace. This exotic re-enchantment of our world is often done by payingparticular attention to the small details of private interiors –as in the photographs of Yannis Theodoropoulos, the installations of Yorgos Maraziotis–or personal mementos as in the assemblages of James Lane.

    Other works apply the visual rhetoric of the past, that being the techniques of Renaissance-like, chiaroscuro painting, as in the paintings of Dimitris Tzamouranis, the detailed observation of society as in the drawings of Dionysis Kavallieratos, or even the dismantling of abstract painting in the painterly installations by Yorgos Stamkopoulos.

    Hidden facets of Athenian life are uncovered –in the photographs of Georgia Sagri, the paintings of Theodoris Zafeiropoulos, the videos of Stefanos Tzivopoulos as well as the witty actions of Georgia Kotretsos. Joulia Strauss unveils aspects of characters shaping the intellectual life of the city. Cultural stereotypes and biased points of view are discussed; as well as cultural cross-overs and entanglements –in the installations of Zafos Xagoraris, the photographs of Dionisis Christofilogiannis, the videos of George Drivas, the videos of Alexandros Kaklamanos and the video-installations of Vassilea Stylianidou.

    The festival is organized by the non-profit initiative AthenSYN with the FREIRAUM in the box with the support of the Stavros Niarchos Foundation (SNF), the Schwarz Foundation and under the patronage of the Greek Ministry of Culture and the Greek Embassy Berlin. Further sponsors: Hellenic Cultural Foundation (Hellenic Foundation for Culture), Aegean Air / With the support of CeMoG of the Freie Universität Berlin, Greek Community Berlin.

    A visitor standing in front of a framed work hanging on a brick wall and looking. The work is a close-up of a pile of triangle-shaped individually wrapped chocolates on a surface.

    Yiannis Theodoropoulos, Landscape with Golden Chokolatakia, 2019 (installation view)

    Stephan Koal and Katja Ehrhardt, walking, in front of Freiraum in der Box Exhibition Space. The building is made out of red bricks and features on its facade the phrase: "Dein Land Existiert Nicht" in neon letters. Green grass and falled yellow leaves are in front of the building.

    Stephan Koal and Katja Ehrhardt in front of Freiraum in der Box Exhibition Space

    The Initiative AthenSYN and its goals:

    • The Initiative AthenSYN and its goals: The non-profit initiative AthenSYN, which was founded in 2016 by art historian Sotirios Bahtsetzis and cultural scientist Katja Ehrhardt, sensitizes audiences to the context of art as a forum for dialogue and for a critical examination of the future of Europe. Directed by Katja Ehrhardt, AthenSYN builds on the idea that European crises need more than the sum of national responses. At the center of the European crisis, Greece poses questions that are relevant to all of Europe. The aim of a Greek festival in the German capital Berlin is to create an infrastructure for cultural exchange and collaboration. The festival aims to facilitate encounters that offer an alternative to political and economic positions, while the Athens-Berlin axis has both practical as symbolical significance. In times of migration and globalization, art is practiced as education in the multicultural landscape of our changing population structures. Through cooperations in the field of arts and education, AthenSYN tackles stereotypes, develops shared visions of the future and stimulates learning processes.

    AthenSYN I: Homemade Exotica Brochure

    • AthenSYN I: Homemade Exotica Brochure

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